• Genre: Suspense/Thriller
  • Release Date: 05/30/2008
  • Running Time: 107 mins
  • Director: Bryan Bertino
  • Cast: Liv Tyler, Scott Speedman, Gemma Ward, Kip Weeks, Laura Margolis, Glenn Howerton
  • Producer: Doug Davison, Roy Lee, Nathan Kahan
  • Writer: Bryan Bertino
  • Distributor: Universal Pictures
  • Offical Site: Click Here
  • Buy Tickets

Box Office

  1. The Dark Knight, 26.1 million, 441.6 million
  2. Eagle Eye, 29.2 million, 29.2 million
  3. Nights in Rodanthe, 13.4 million, 13.4 million
  4. Pineapple Express, 23.2 million, 41.3 million
  5. Lakeview Terrace, 7.0 million, 25.7 million
  6. The Mummy: Tomb of the Dragon Emperor, 16.5 million, 71.0 million
  7. Fireproof, 6.8 million, 6.8 million
  8. The Sisterhood of the Traveling Pants 2, 10.7 million, 19.6 million
  9. Burn After Reading, 6.2 million, 45.6 million
  10. Step Brothers, 9.1 million, 81.1 million
  11. Igor, 5.4 million, 14.2 million
  12. Mamma Mia!, 8.2 million, 104.1 million
  13. My Best Friend's Girl, 3.9 million, 14.6 million
  14. Journey to the Center of the Earth, 4.9 million, 81.8 million
  15. Hancock, 3.3 million, 221.7 million
  16. Righteous Kill, 3.7 million, 34.7 million
  17. WALL-E, 3.1 million, 210.2 million
  18. Miracle at St. Anna, 3.5 million, 3.5 million
  19. Swing Vote, 3.1 million, 12.0 million
  20. Tyler Perry's The Family That Preys, 3.1 million, 32.8 million
Movie Title, Weekly Earnings, Total Earnings

The Strangers

Suggesting an American remake of David Moreau and Xavier Palud’s Them, The Strangers is practically an abstraction: an old-school spooker spun from the blood splatter on a wall, a nearby record player scratching an oldie, a CB radio in the garage, a creaky swing set in the backyard. First-time helmer Bryan Bertino is beholden to genre quota, skidding the relationship of pretty young couple Kristen and James (played by Liv Tyler and Scott Speedman) before subjecting them to an after-dark home invasion. But he offers no profound rationale for why she refuses his marriage proposal; like the shadowy stranger that comes knocking at their door (eerily asking, “Is Tamara home?”), it’s something that just happens. What’s up with the bemasked ghoulies of the film’s title? Why all the door-slamming? Who’s Tamara!?! Plying an old-school artistry that begins with a creepy montage of bumblefuck houses and holds up almost without fail until the strangers offer a creepy non-justification for their transgressions, analog-man Bertino teases with the unknown until he’s left no pimple ungoosed. Sometimes avoiding the synapse-raping bad habits of splat packers Eli Roth and Alexandre Aja is its own reward; doing so without also submitting to Michael Haneke–style hand-slapping is nearly monumental. — Ed Gonzalez

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